The Break Up
2019 | Feature Film | Aavishkar | Actor
Profile details
Actor
Aashirman D.S. Joshi's film record is compact, but it carries a clear debut story. He entered Nepali cinema with Gangster Blues in 2017, appearing as a cast member in a romantic crime-drama space that introduced him directly as a screen actor rather than through a long supporting-role route. The verified public record then places him in The Break Up, released in 2019, giving his early career a two-film arc built around youthful romance, conflict and mainstream audience-facing storytelling. What gives that short filmography weight is the award trail attached to the first film. Gangster Blues brought Joshi three documented debut-actor recognitions: Kamana Film Award 2075 for Best Debut Actor (Male), NFDC National Film Award 2074 in the Bishwa Best Debut Actor (Male) category, and Global Nepali Film Award 2017 for Best Debut Actor (Male). Those records make his launch unusually visible for an actor with only a small number of listed feature credits. Joshi's profile should therefore read as the beginning of a screen career rather than a long catalogue. The evidence supports an actor whose arrival was noticed quickly, whose first two released features placed him in romantic and youth-led material, and whose debut awards remain the strongest public markers of his professional identity. Unsupported personal details, training claims and recent-project rumours are left out here so the biography stays grounded in confirmed work and verified recognition.
2019 | Feature Film | Aavishkar | Actor
2017 | Feature Film | Aakash | Actor

ActorActor
Aashirman D.S. Joshi's film record is compact, but it carries a clear debut story. He entered Nepali cinema with Gangster Blues in 2017, appearing as a cast member in a romantic crime-drama space that introduced him directly as a screen actor rather than through a long supporting-role route. The verified public record then places him in The Break Up, released in 2019, giving his early career a two-film arc built around youthful romance, conflict and mainstream audience-facing storytelling. What gives that short filmography weight is the award trail attached to the first film. Gangster Blues brought Joshi three documented debut-actor recognitions: Kamana Film Award 2075 for Best Debut Actor (Male), NFDC National Film Award 2074 in the Bishwa Best Debut Actor (Male) category, and Global Nepali Film Award 2017 for Best Debut Actor (Male). Those records make his launch unusually visible for an actor with only a small number of listed feature credits. Joshi's profile should therefore read as the beginning of a screen career rather than a long catalogue. The evidence supports an actor whose arrival was noticed quickly, whose first two released features placed him in romantic and youth-led material, and whose debut awards remain the strongest public markers of his professional identity. Unsupported personal details, training claims and recent-project rumours are left out here so the biography stays grounded in confirmed work and verified recognition.
About
Aashirman D.S. Joshi's film record is compact, but it carries a clear debut story. He entered Nepali cinema with Gangster Blues in 2017, appearing as a cast member in a romantic crime-drama space that introduced him directly as a screen actor rather than through a long supporting-role route. The verified public record then places him in The Break Up, released in 2019, giving his early career a two-film arc built around youthful romance, conflict and mainstream audience-facing storytelling. What gives that short filmography weight is the award trail attached to the first film. Gangster Blues brought Joshi three documented debut-actor recognitions: Kamana Film Award 2075 for Best Debut Actor (Male), NFDC National Film Award 2074 in the Bishwa Best Debut Actor (Male) category, and Global Nepali Film Award 2017 for Best Debut Actor (Male). Those records make his launch unusually visible for an actor with only a small number of listed feature credits. Joshi's profile should therefore read as the beginning of a screen career rather than a long catalogue. The evidence supports an actor whose arrival was noticed quickly, whose first two released features placed him in romantic and youth-led material, and whose debut awards remain the strongest public markers of his professional identity. Unsupported personal details, training claims and recent-project rumours are left out here so the biography stays grounded in confirmed work and verified recognition.
02 / credits
02 / credits