Intu Mintu Londonma
2018 | Feature Film | Make Up, Hair Stylist | Makeup/Hair Stylist
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Makeup/Hair Stylist
Dipu Poudel's film credits place him in makeup and hair work across a useful stretch of Nepali cinema. Mala, Ko Aafno, Damaruko Dandibiyo and Intu Mintu Londonma trace a path from makeup-only work into combined hair-and-makeup responsibility, which is often where a technician's reliability becomes most visible. His award record gives that work real shape. Poudel won NEFTA Film Award 2071 Best Makeup for Mala and NEFTA Film Award 2072 Best Makeup for Ko Aafno, then later received nominations for Damaruko Dandibiyo and Intu Mintu Londonma. The pattern shows a craft that kept drawing notice across different projects, not a one-time mention. Makeup and hair help decide how a character lands on screen before a line is ever spoken. Poudel's record sits in that space where continuity, texture and screen realism do a lot of invisible work, and that makes his profile feel like the story of a dependable craftsperson rather than just a list of titles.
2018 | Feature Film | Make Up, Hair Stylist | Makeup/Hair Stylist
2018 | Feature Film | Make Up | Makeup/Hair Stylist
2016 | Feature Film | Make Up | Makeup/Hair Stylist
2015 | Feature Film | Make Up | Makeup/Hair Stylist
Makeup/Hair StylistMakeup/Hair Stylist
Dipu Poudel's film credits place him in makeup and hair work across a useful stretch of Nepali cinema. Mala, Ko Aafno, Damaruko Dandibiyo and Intu Mintu Londonma trace a path from makeup-only work into combined hair-and-makeup responsibility, which is often where a technician's reliability becomes most visible. His award record gives that work real shape. Poudel won NEFTA Film Award 2071 Best Makeup for Mala and NEFTA Film Award 2072 Best Makeup for Ko Aafno, then later received nominations for Damaruko Dandibiyo and Intu Mintu Londonma. The pattern shows a craft that kept drawing notice across different projects, not a one-time mention. Makeup and hair help decide how a character lands on screen before a line is ever spoken. Poudel's record sits in that space where continuity, texture and screen realism do a lot of invisible work, and that makes his profile feel like the story of a dependable craftsperson rather than just a list of titles.
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Dipu Poudel's film credits place him in makeup and hair work across a useful stretch of Nepali cinema. Mala, Ko Aafno, Damaruko Dandibiyo and Intu Mintu Londonma trace a path from makeup-only work into combined hair-and-makeup responsibility, which is often where a technician's reliability becomes most visible. His award record gives that work real shape. Poudel won NEFTA Film Award 2071 Best Makeup for Mala and NEFTA Film Award 2072 Best Makeup for Ko Aafno, then later received nominations for Damaruko Dandibiyo and Intu Mintu Londonma. The pattern shows a craft that kept drawing notice across different projects, not a one-time mention. Makeup and hair help decide how a character lands on screen before a line is ever spoken. Poudel's record sits in that space where continuity, texture and screen realism do a lot of invisible work, and that makes his profile feel like the story of a dependable craftsperson rather than just a list of titles.
04 / credits
04 / credits
04 / notes
04 / notes
Kamana Film Award | Damaruko Dandibiyo | Makeup | 2076 | Nepal
Nefta Film Award | Intu Mintu Londonma | Makeup and hair | 2075 | Nepal
Nefta Film Award | Ko Aafno | Makeup | 2072 | Nepal
Nefta Film Award | Mala | Makeup | 2071 | Nepal