featured credit
Hari Bahadur Ko Jutta
2025 | Feature Film | Actor
Profile details
Actor
Five decades into a career as an actor and comedian, Hari Bansha Acharya is best known for the MaHa Jodi partnership and socially focused satire across stage, television, film, music, and books. Acharya entered broadcasting in 1974, performing on Radio Nepal with Hari Prasad Rimal and Jitendra Mahat Avilashi. He joined Rastriya Naach Ghar in 1975 and took part in Gaijatra Mahotsav in 1977. By the time he began working with Madan Krishna Shrestha, he had spent about six years performing independently. Their partnership became known as MaHa Jodi and moved between live performance, recorded comedy, television, and cinema. Comedy in that partnership repeatedly took contemporary public life as its subject. Programmes such as *15 Gate*, *Laal Purja*, and *Madan Bahadur Hari Bahadur* placed social and political situations inside comedy-drama, with the latter built around the morally compromised Hari Bahadur opposite Madan Bahadur. The same approach carried into touring stage shows: *Maha Jatra 2071* used sketches about leadership, border tensions, corruption, and ethnic conflict, while a 2014 United States tour presented satire on Nepal's socio-political crises under a message of national unity. Across these formats, Acharya's speciality has been character comedy that lets recognisable flaws and institutions drive the joke. His screen work extends beyond performance. In *Balidaan* (1997), he played Arjun, a student carrying a democratic message through songs in a story set against Panchayat-era repression. He directed *Filim* (1999) and *Je Bho Ramrai Bho* (2003), and his work on the latter also included story, screenplay, production design, and lyrics. He later wrote the story for *Shatru Gate* (2018), appeared as Gopal, and continued acting in *Dal Bhat Tarkari* (2019), *Mahapurush* (2022), and *Mahajatra* (2024). Acting, writing, directing, singing, lyrics, and design have therefore remained connected parts of his screen practice. Acharya has also developed experiences and characters in books. *China Harayeko Manchhe*, published in 2013, is an autobiography drawing on childhood, adolescence, and his life in performance. In 2017 he published *Hari Bahadur*, a novel built from the television character of the same name. The book traces the character's background through dark comedy and sets the story during Nepal's Maoist insurgency, carrying a television persona into a longer fictional form. Later films have given him prominent dramatic roles alongside his comic work. In *Mahapurush*, he appeared with Madan Krishna Shrestha in a family drama and received the National Film Award for Best Actor in a Leading Role at the 2079 awards. He played Bishnu Bahadur KC in Binod Poudel's *Bhuthan: The World's Happiest Man* (2025), a story centred on a Bhutanese refugee living in the United States. The Film Critics Society of Nepal named him Best Actor at the Critics Film Awards 2082 for *Bhuthan*.

Actor / DirectorActor / Director / Screenwriter
Five decades into a career as an actor and comedian, Hari Bansha Acharya is best known for the MaHa Jodi partnership and socially focused satire across stage, television, film, music, and books. Acharya entered broadcasting in 1974, performing on Radio Nepal with Hari Prasad Rimal and Jitendra Mahat Avilashi. He joined Rastriya Naach Ghar in 1975 and took part in Gaijatra Mahotsav in 1977. By the time he began working with Madan Krishna Shrestha, he had spent about six years performing independently. Their partnership became known as MaHa Jodi and moved between live performance, recorded comedy, television, and cinema. Comedy in that partnership repeatedly took contemporary public life as its subject. Programmes such as *15 Gate*, *Laal Purja*, and *Madan Bahadur Hari Bahadur* placed social and political situations inside comedy-drama, with the latter built around the morally compromised Hari Bahadur opposite Madan Bahadur. The same approach carried into touring stage shows: *Maha Jatra 2071* used sketches about leadership, border tensions, corruption, and ethnic conflict, while a 2014 United States tour presented satire on Nepal's socio-political crises under a message of national unity. Across these formats, Acharya's speciality has been character comedy that lets recognisable flaws and institutions drive the joke. His screen work extends beyond performance. In *Balidaan* (1997), he played Arjun, a student carrying a democratic message through songs in a story set against Panchayat-era repression. He directed *Filim* (1999) and *Je Bho Ramrai Bho* (2003), and his work on the latter also included story, screenplay, production design, and lyrics. He later wrote the story for *Shatru Gate* (2018), appeared as Gopal, and continued acting in *Dal Bhat Tarkari* (2019), *Mahapurush* (2022), and *Mahajatra* (2024). Acting, writing, directing, singing, lyrics, and design have therefore remained connected parts of his screen practice. Acharya has also developed experiences and characters in books. *China Harayeko Manchhe*, published in 2013, is an autobiography drawing on childhood, adolescence, and his life in performance. In 2017 he published *Hari Bahadur*, a novel built from the television character of the same name. The book traces the character's background through dark comedy and sets the story during Nepal's Maoist insurgency, carrying a television persona into a longer fictional form. Later films have given him prominent dramatic roles alongside his comic work. In *Mahapurush*, he appeared with Madan Krishna Shrestha in a family drama and received the National Film Award for Best Actor in a Leading Role at the 2079 awards. He played Bishnu Bahadur KC in Binod Poudel's *Bhuthan: The World's Happiest Man* (2025), a story centred on a Bhutanese refugee living in the United States. The Film Critics Society of Nepal named him Best Actor at the Critics Film Awards 2082 for *Bhuthan*.
About
Five decades into a career as an actor and comedian, Hari Bansha Acharya is best known for the MaHa Jodi partnership and socially focused satire across stage, television, film, music, and books. Acharya entered broadcasting in 1974, performing on Radio Nepal with Hari Prasad Rimal and Jitendra Mahat Avilashi. He joined Rastriya Naach Ghar in 1975 and took part in Gaijatra Mahotsav in 1977. By the time he began working with Madan Krishna Shrestha, he had spent about six years performing independently. Their partnership became known as MaHa Jodi and moved between live performance, recorded comedy, television, and cinema. Comedy in that partnership repeatedly took contemporary public life as its subject. Programmes such as *15 Gate*, *Laal Purja*, and *Madan Bahadur Hari Bahadur* placed social and political situations inside comedy-drama, with the latter built around the morally compromised Hari Bahadur opposite Madan Bahadur. The same approach carried into touring stage shows: *Maha Jatra 2071* used sketches about leadership, border tensions, corruption, and ethnic conflict, while a 2014 United States tour presented satire on Nepal's socio-political crises under a message of national unity. Across these formats, Acharya's speciality has been character comedy that lets recognisable flaws and institutions drive the joke. His screen work extends beyond performance. In *Balidaan* (1997), he played Arjun, a student carrying a democratic message through songs in a story set against Panchayat-era repression. He directed *Filim* (1999) and *Je Bho Ramrai Bho* (2003), and his work on the latter also included story, screenplay, production design, and lyrics. He later wrote the story for *Shatru Gate* (2018), appeared as Gopal, and continued acting in *Dal Bhat Tarkari* (2019), *Mahapurush* (2022), and *Mahajatra* (2024). Acting, writing, directing, singing, lyrics, and design have therefore remained connected parts of his screen practice. Acharya has also developed experiences and characters in books. *China Harayeko Manchhe*, published in 2013, is an autobiography drawing on childhood, adolescence, and his life in performance. In 2017 he published *Hari Bahadur*, a novel built from the television character of the same name. The book traces the character's background through dark comedy and sets the story during Nepal's Maoist insurgency, carrying a television persona into a longer fictional form. Later films have given him prominent dramatic roles alongside his comic work. In *Mahapurush*, he appeared with Madan Krishna Shrestha in a family drama and received the National Film Award for Best Actor in a Leading Role at the 2079 awards. He played Bishnu Bahadur KC in Binod Poudel's *Bhuthan: The World's Happiest Man* (2025), a story centred on a Bhutanese refugee living in the United States. The Film Critics Society of Nepal named him Best Actor at the Critics Film Awards 2082 for *Bhuthan*.
Specialization
11 / credits
11 / credits
02 / notes
02 / notes
2025 | Feature Film | Actor
2025 | Feature Film | Actor
2024 | Feature Film | Actor
2022 | Feature Film | Actor
2019 | Feature Film | Ram Hari
2018 | Feature Film | Gopal (Suraj's Father)
2003 | Feature Film | Nabin/Prabin
2000 | Feature Film | Badri
1997 | Feature Film | Arjun
1987 | Feature Film | Harinara Baidhya
1984 | Feature Film | Kamal
Film Critics Society of Nepal (FICSON) | Bhuthan | Best Actor - Winner | 2082 | Nepal
Film Development Board, Nepal | Mahapurush | Best Actor in a Leading Role (Male) - Winner | 2079 | Nepal