Ram Naam Satya
2026 | Feature Film | Cinematographer | Cinematographer/(DP)
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Cinematographer/(DP)
Man Krishna Maharjan's cinematography credits place him close to the mainstream centre of recent Nepali cinema. His public record includes Fulai Fulko Mausam Timilai, Radha, Rani, Meri Mamu, Sanglo, Chhakka Panja 3, Chhakka Panja 4, Pardeshi 2, Pitambar, Baristha Balaram and Ram Naam Satya. The Chhakka Panja credits are useful anchors because they connect Maharjan to one of Nepal's most commercially visible film series. Other titles in his list point toward family drama, action, romance and contemporary release cycles, which means his work has had to adjust to different production scales and audience expectations rather than repeating a single visual pattern. No reliable public record currently supports adding awards or a formal training history, so the biography focuses on the confirmed filmography. Maharjan's contribution is the steady craft of camera work inside active productions: measuring light, movement and coverage so that popular films can carry their performances and comedy, drama or action clearly to the screen.
2026 | Feature Film | Cinematographer | Cinematographer/(DP)
2025 | Feature Film | Cinematographer | Cinematographer/(DP)
2025 | Feature Film | Cinematographer | Cinematographer/(DP)
2023 | Feature Film | Cinematographer | Cinematographer/(DP)
Cinematographer/(DP)Cinematographer/(DP)
Man Krishna Maharjan's cinematography credits place him close to the mainstream centre of recent Nepali cinema. His public record includes Fulai Fulko Mausam Timilai, Radha, Rani, Meri Mamu, Sanglo, Chhakka Panja 3, Chhakka Panja 4, Pardeshi 2, Pitambar, Baristha Balaram and Ram Naam Satya. The Chhakka Panja credits are useful anchors because they connect Maharjan to one of Nepal's most commercially visible film series. Other titles in his list point toward family drama, action, romance and contemporary release cycles, which means his work has had to adjust to different production scales and audience expectations rather than repeating a single visual pattern. No reliable public record currently supports adding awards or a formal training history, so the biography focuses on the confirmed filmography. Maharjan's contribution is the steady craft of camera work inside active productions: measuring light, movement and coverage so that popular films can carry their performances and comedy, drama or action clearly to the screen.
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Man Krishna Maharjan's cinematography credits place him close to the mainstream centre of recent Nepali cinema. His public record includes Fulai Fulko Mausam Timilai, Radha, Rani, Meri Mamu, Sanglo, Chhakka Panja 3, Chhakka Panja 4, Pardeshi 2, Pitambar, Baristha Balaram and Ram Naam Satya. The Chhakka Panja credits are useful anchors because they connect Maharjan to one of Nepal's most commercially visible film series. Other titles in his list point toward family drama, action, romance and contemporary release cycles, which means his work has had to adjust to different production scales and audience expectations rather than repeating a single visual pattern. No reliable public record currently supports adding awards or a formal training history, so the biography focuses on the confirmed filmography. Maharjan's contribution is the steady craft of camera work inside active productions: measuring light, movement and coverage so that popular films can carry their performances and comedy, drama or action clearly to the screen.
11 / credits
11 / credits
2020 | Feature Film | Cinematographer | Cinematographer/(DP)
2023 | Feature Film | Cinematographer | Cinematographer/(DP)
2018 | Feature Film | Cinematographer | Cinematographer/(DP)
2018 | Feature Film | Cinematographer | Cinematographer/(DP)
2017 | Feature Film | Cinematographer | Cinematographer/(DP)
2016 | Feature Film | Cinematographer | Cinematographer/(DP)
2016 | Feature Film | Cinematographer | Cinematographer/(DP)