Pooja, Sir
2025 | Feature Film | Executive Producer | Director
Profile details
Director
Min Bahadur Bham's path to feature filmmaking was shaped through a sequence of short and experimental films. His early work includes Rangeen Photo, Kalo Kot, Bansulli and Saas Phere Jasto Lagchha, a progression that established an interest in the Himalayan landscapes and communities that would later anchor his longer films. Kalo Pothi (Black Hen), his 2015 feature, brought that world to international attention. Shambhala followed in 2024, returning to high-altitude Nepal in a drama about a woman undertaking a demanding journey. Both films have been presented through major international festival platforms, while Bham's work as a writer remains central to their construction. Bham's films favour patient observation over spectacle, allowing geography, ritual and family life to shape the drama. The move from short-form experimentation to internationally exhibited features has made his career a clear example of how regional stories can travel without losing their particularity.
2025 | Feature Film | Executive Producer | Director
2024 | Feature Film | Producer | Director
2024 | Feature Film | Director | Director
2024 | Feature Film | Producer | Director

DirectorDirector
Min Bahadur Bham's path to feature filmmaking was shaped through a sequence of short and experimental films. His early work includes Rangeen Photo, Kalo Kot, Bansulli and Saas Phere Jasto Lagchha, a progression that established an interest in the Himalayan landscapes and communities that would later anchor his longer films. Kalo Pothi (Black Hen), his 2015 feature, brought that world to international attention. Shambhala followed in 2024, returning to high-altitude Nepal in a drama about a woman undertaking a demanding journey. Both films have been presented through major international festival platforms, while Bham's work as a writer remains central to their construction. Bham's films favour patient observation over spectacle, allowing geography, ritual and family life to shape the drama. The move from short-form experimentation to internationally exhibited features has made his career a clear example of how regional stories can travel without losing their particularity.
About
Min Bahadur Bham's path to feature filmmaking was shaped through a sequence of short and experimental films. His early work includes Rangeen Photo, Kalo Kot, Bansulli and Saas Phere Jasto Lagchha, a progression that established an interest in the Himalayan landscapes and communities that would later anchor his longer films. Kalo Pothi (Black Hen), his 2015 feature, brought that world to international attention. Shambhala followed in 2024, returning to high-altitude Nepal in a drama about a woman undertaking a demanding journey. Both films have been presented through major international festival platforms, while Bham's work as a writer remains central to their construction. Bham's films favour patient observation over spectacle, allowing geography, ritual and family life to shape the drama. The move from short-form experimentation to internationally exhibited features has made his career a clear example of how regional stories can travel without losing their particularity.
08 / credits
08 / credits
04 / notes
04 / notes
2020 | Feature Film | Producer | Director
2015 | Feature Film | Producer | Director
2015 | Feature Film | Director | Director
2012 | Feature Film | Director | Director
National Film Awards Nepal | Kalo Pothi | Best Writer | 2017 | Nepal
Berlin International Film Festival | Shambhala | Official selection | 2024 | Germany
Asia Pacific Screen Awards | Shambhala | Film recognition | 2024 | Australia
Venice Critics' Week | Kalo Pothi | Film direction | 2015 | Italy