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2026 | Feature Film | Cinematographer | Cinematographer/(DP)
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Cinematographer/(DP)
Nabaraj Upreti's cinematography record has the shape of a working contemporary career, with verified credits across Changa, Jay Shree Daam, Bir Bikram 2 and Boksi Ko Ghar. That spread places him inside both lighter commercial films and stories that require a more carefully held atmosphere. Boksi Ko Ghar gives the profile an especially useful recent anchor. Its subject and tone demand a camera approach that can support tension, social unease and performance-led drama, while earlier titles such as Changa and Bir Bikram 2 connect Upreti to more recognisable mainstream release patterns. Together, the credits show an image-maker moving across different kinds of audience-facing cinema. The verified public record does not support adding formal training or individual awards at this stage, so the biography focuses on the continuity of the work. Upreti's importance here is practical and current: he is part of the camera workforce carrying Nepali films from script to screen, adding visual shape to projects whose genres and scales do not all ask for the same solution.
2026 | Feature Film | Cinematographer | Cinematographer/(DP)
2024 | Feature Film | Cinematographer | Cinematographer/(DP)
2019 | Feature Film | Cinematographer | Cinematographer/(DP)
2019 | Feature Film | Cinematographer | Cinematographer/(DP)
Cinematographer/(DP)Cinematographer/(DP)
Nabaraj Upreti's cinematography record has the shape of a working contemporary career, with verified credits across Changa, Jay Shree Daam, Bir Bikram 2 and Boksi Ko Ghar. That spread places him inside both lighter commercial films and stories that require a more carefully held atmosphere. Boksi Ko Ghar gives the profile an especially useful recent anchor. Its subject and tone demand a camera approach that can support tension, social unease and performance-led drama, while earlier titles such as Changa and Bir Bikram 2 connect Upreti to more recognisable mainstream release patterns. Together, the credits show an image-maker moving across different kinds of audience-facing cinema. The verified public record does not support adding formal training or individual awards at this stage, so the biography focuses on the continuity of the work. Upreti's importance here is practical and current: he is part of the camera workforce carrying Nepali films from script to screen, adding visual shape to projects whose genres and scales do not all ask for the same solution.
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Nabaraj Upreti's cinematography record has the shape of a working contemporary career, with verified credits across Changa, Jay Shree Daam, Bir Bikram 2 and Boksi Ko Ghar. That spread places him inside both lighter commercial films and stories that require a more carefully held atmosphere. Boksi Ko Ghar gives the profile an especially useful recent anchor. Its subject and tone demand a camera approach that can support tension, social unease and performance-led drama, while earlier titles such as Changa and Bir Bikram 2 connect Upreti to more recognisable mainstream release patterns. Together, the credits show an image-maker moving across different kinds of audience-facing cinema. The verified public record does not support adding formal training or individual awards at this stage, so the biography focuses on the continuity of the work. Upreti's importance here is practical and current: he is part of the camera workforce carrying Nepali films from script to screen, adding visual shape to projects whose genres and scales do not all ask for the same solution.
05 / credits
05 / credits
2018 | Feature Film | Cinematographer | Cinematographer/(DP)