Timilai Jun Din Dekhe
Music Video | Cinematographer | Cinematographer/(DP)
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Cinematographer/(DP)
Namaraj Ghimire's public profile is still compact, but it has a clear cinematography centre. His verified work includes Tulkee and music-video cinematography on songs such as Man Pareko Mayale, Nele Bajar and Timilai Jun Din Dekhe, placing him across both feature and song-based screen production. That mixture matters because many Nepali cinematographers develop by moving between formats. A feature asks for continuity, scene coverage and visual restraint over a longer story, while music videos often demand quick visual impact and a stronger relationship with rhythm. Ghimire's documented credits show him working in both spaces rather than remaining attached to only one form. The available record does not justify a long list of awards or biographical claims, so this rewrite presents him as an active, developing cinematographer. His TeamForFilm profile can grow as more projects are confirmed, but the current evidence already gives him a legitimate place in the directory: a camera professional building a body of work through feature and music-video images.
Music Video | Cinematographer | Cinematographer/(DP)
Music Video | Cinematographer | Cinematographer/(DP)
Music Video | Cinematographer | Cinematographer/(DP)
Feature Film | Cinematographer | Cinematographer/(DP)
Cinematographer/(DP)Cinematographer/(DP)
Namaraj Ghimire's public profile is still compact, but it has a clear cinematography centre. His verified work includes Tulkee and music-video cinematography on songs such as Man Pareko Mayale, Nele Bajar and Timilai Jun Din Dekhe, placing him across both feature and song-based screen production. That mixture matters because many Nepali cinematographers develop by moving between formats. A feature asks for continuity, scene coverage and visual restraint over a longer story, while music videos often demand quick visual impact and a stronger relationship with rhythm. Ghimire's documented credits show him working in both spaces rather than remaining attached to only one form. The available record does not justify a long list of awards or biographical claims, so this rewrite presents him as an active, developing cinematographer. His TeamForFilm profile can grow as more projects are confirmed, but the current evidence already gives him a legitimate place in the directory: a camera professional building a body of work through feature and music-video images.
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Namaraj Ghimire's public profile is still compact, but it has a clear cinematography centre. His verified work includes Tulkee and music-video cinematography on songs such as Man Pareko Mayale, Nele Bajar and Timilai Jun Din Dekhe, placing him across both feature and song-based screen production. That mixture matters because many Nepali cinematographers develop by moving between formats. A feature asks for continuity, scene coverage and visual restraint over a longer story, while music videos often demand quick visual impact and a stronger relationship with rhythm. Ghimire's documented credits show him working in both spaces rather than remaining attached to only one form. The available record does not justify a long list of awards or biographical claims, so this rewrite presents him as an active, developing cinematographer. His TeamForFilm profile can grow as more projects are confirmed, but the current evidence already gives him a legitimate place in the directory: a camera professional building a body of work through feature and music-video images.
04 / credits
04 / credits