The Secrets of Radha
2022 | Feature Film | Director of Photography | Cinematographer/(DP)
Profile details
Director
Narendra Mainali came to cinematography through still photography, study and deliberate visual practice rather than a straight commercial-film route. His public career account traces a shift from computer engineering toward freelance photography, then into motion-picture photography through a bachelor's degree at Oscar College of Film Studies and further training in Denmark, the Asian Film Academy and Berlinale Talents. His early screen work already showed an international-facing path. Bansulli, directed by Min Bahadur Bham, was selected for Venice, and The Contagious Apparitions of Dambarey Dendrite, directed by Pooja Gurung and Bibhushan Basnet, premiered at Abu Dhabi Film Festival. Later credits connect him with features and shorts such as Sadanga, Gaatho, The Break Up, Ghamad Shere, The Secrets of Radha, Babari, Chhakka Panja 4, Mahanagar, Farki Farki, Behuli From Meghauli, Aktor: Take One, Magne Raja, The Blue Light and Windhorse. Mainali's profile is strongest when read as the record of a cinematographer who thinks of images as structure, not decoration. In public interviews he has described the cinematographer as a close visual collaborator with the director, responsible for mood, character, composition, lens choice and the emotional movement of a scene. That outlook gives his filmography a clear identity: a camera artist moving between independent festival work and mainstream Nepali features while keeping visual language at the centre of the craft.
2022 | Feature Film | Director of Photography | Cinematographer/(DP)
2024 | Feature Film | Director of Photography | Cinematographer/(DP)
Director / Cinematographer/(DP)Director / Cinematographer/(DP) / Editor
Narendra Mainali came to cinematography through still photography, study and deliberate visual practice rather than a straight commercial-film route. His public career account traces a shift from computer engineering toward freelance photography, then into motion-picture photography through a bachelor's degree at Oscar College of Film Studies and further training in Denmark, the Asian Film Academy and Berlinale Talents. His early screen work already showed an international-facing path. Bansulli, directed by Min Bahadur Bham, was selected for Venice, and The Contagious Apparitions of Dambarey Dendrite, directed by Pooja Gurung and Bibhushan Basnet, premiered at Abu Dhabi Film Festival. Later credits connect him with features and shorts such as Sadanga, Gaatho, The Break Up, Ghamad Shere, The Secrets of Radha, Babari, Chhakka Panja 4, Mahanagar, Farki Farki, Behuli From Meghauli, Aktor: Take One, Magne Raja, The Blue Light and Windhorse. Mainali's profile is strongest when read as the record of a cinematographer who thinks of images as structure, not decoration. In public interviews he has described the cinematographer as a close visual collaborator with the director, responsible for mood, character, composition, lens choice and the emotional movement of a scene. That outlook gives his filmography a clear identity: a camera artist moving between independent festival work and mainstream Nepali features while keeping visual language at the centre of the craft.
About
Narendra Mainali came to cinematography through still photography, study and deliberate visual practice rather than a straight commercial-film route. His public career account traces a shift from computer engineering toward freelance photography, then into motion-picture photography through a bachelor's degree at Oscar College of Film Studies and further training in Denmark, the Asian Film Academy and Berlinale Talents. His early screen work already showed an international-facing path. Bansulli, directed by Min Bahadur Bham, was selected for Venice, and The Contagious Apparitions of Dambarey Dendrite, directed by Pooja Gurung and Bibhushan Basnet, premiered at Abu Dhabi Film Festival. Later credits connect him with features and shorts such as Sadanga, Gaatho, The Break Up, Ghamad Shere, The Secrets of Radha, Babari, Chhakka Panja 4, Mahanagar, Farki Farki, Behuli From Meghauli, Aktor: Take One, Magne Raja, The Blue Light and Windhorse. Mainali's profile is strongest when read as the record of a cinematographer who thinks of images as structure, not decoration. In public interviews he has described the cinematographer as a close visual collaborator with the director, responsible for mood, character, composition, lens choice and the emotional movement of a scene. That outlook gives his filmography a clear identity: a camera artist moving between independent festival work and mainstream Nepali features while keeping visual language at the centre of the craft.
18 / credits
18 / credits
02 / notes
02 / notes
2012 | Feature Film | Director of Photography | Cinematographer/(DP)
2015 | Feature Film | Cinematographer | Cinematographer/(DP)
2026 | Feature Film | Director of Photography | Cinematographer/(DP)
2022 | Feature Film | Director of Photography | Cinematographer/(DP)
2023 | Feature Film | Director of Photography | Cinematographer/(DP)
2014 | Feature Film | Cinematographer | Cinematographer/(DP)
2014 | Feature Film | Cinematographer | Cinematographer/(DP)
2015 | Feature Film | Cinematographer | Cinematographer/(DP)
2016 | Feature Film | Director of Photography | Cinematographer/(DP) | Director Of Photography
2019 | Feature Film | Cinematographer | Cinematographer/(DP)
2023 | Feature Film | Director of Photography | Director Of Photography
2024 | Feature Film | Director of Photography | Cinematographer/(DP)
2025 | Feature Film | Director of Photography | Cinematographer/(DP)
2018 | Feature Film | Cinematographer | Cinematographer/(DP)
2019 | Feature Film | Cinematographer | Cinematographer/(DP)
2026 | Feature Film | Director of Photography | Cinematographer/(DP)
Dcine Awards | Chhakka Panja 4 | Best Cinematographer | 2080
Asian Film Academy and Busan International Film Festival | Outstanding Cinematography | 2012
Berlin International Film Festival
Asian Film Academy, Busan International Film Festival
Oscar College of Film Studies