Pitambar
2025 | Feature Film | DOP | Cinematographer/(DP)
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Cinematographer/(DP)
Purushottam Pradhan's cinematography record begins with a technician's path into image-making. His documented biography places his cinematography debut at Samayako Dori in 2006, after earlier work in technical roles, and then connects his wider public recognition to Batch No. 16 in 2011. From there, Pradhan's credits run through films such as Kabaddi, Chhakka Panja, Dreams, Kri, Mahajatra and Pitambar, with additional work connected to stereoscopic and large-scale productions. That filmography shows a camera professional trusted across comedy, romance, action and ensemble stories, where the visual approach has to support both star presence and fast-moving production conditions. His profile is best understood through consistency rather than a single image. Pradhan represents the cinematographer as a long-term builder of production value: someone whose work moves quietly through the frame while shaping how popular Nepali films look, move and hold attention. The verified record supports a career of practical growth, from technical foundations to a visible place among contemporary Nepali directors and producers.
2025 | Feature Film | DOP | Cinematographer/(DP)
2024 | Feature Film | Cinematographer | Cinematographer/(DP)
2018 | Feature Film | Cinematographer | Cinematographer/(DP)
2016 | Feature Film | Cinematographer | Cinematographer/(DP)
Cinematographer/(DP)Cinematographer/(DP)
Purushottam Pradhan's cinematography record begins with a technician's path into image-making. His documented biography places his cinematography debut at Samayako Dori in 2006, after earlier work in technical roles, and then connects his wider public recognition to Batch No. 16 in 2011. From there, Pradhan's credits run through films such as Kabaddi, Chhakka Panja, Dreams, Kri, Mahajatra and Pitambar, with additional work connected to stereoscopic and large-scale productions. That filmography shows a camera professional trusted across comedy, romance, action and ensemble stories, where the visual approach has to support both star presence and fast-moving production conditions. His profile is best understood through consistency rather than a single image. Pradhan represents the cinematographer as a long-term builder of production value: someone whose work moves quietly through the frame while shaping how popular Nepali films look, move and hold attention. The verified record supports a career of practical growth, from technical foundations to a visible place among contemporary Nepali directors and producers.
About
Purushottam Pradhan's cinematography record begins with a technician's path into image-making. His documented biography places his cinematography debut at Samayako Dori in 2006, after earlier work in technical roles, and then connects his wider public recognition to Batch No. 16 in 2011. From there, Pradhan's credits run through films such as Kabaddi, Chhakka Panja, Dreams, Kri, Mahajatra and Pitambar, with additional work connected to stereoscopic and large-scale productions. That filmography shows a camera professional trusted across comedy, romance, action and ensemble stories, where the visual approach has to support both star presence and fast-moving production conditions. His profile is best understood through consistency rather than a single image. Pradhan represents the cinematographer as a long-term builder of production value: someone whose work moves quietly through the frame while shaping how popular Nepali films look, move and hold attention. The verified record supports a career of practical growth, from technical foundations to a visible place among contemporary Nepali directors and producers.
08 / credits
08 / credits
2016 | Feature Film | Cinematographer | Cinematographer/(DP)
2014 | Feature Film | Cinematographer | Cinematographer/(DP)
2011 | Feature Film | Cinematographer | Cinematographer/(DP)
2006 | Feature Film | Cinematographer | Cinematographer/(DP)