Kathaputali : The Puppet
2021 | Feature Film | Executive Producer | Producer | Screenwriter
Profile details
Producer
Sampada Malla's creative path sits at the crossing of writing, theatre, film production and media. She is identified as a writer, filmmaker and journalist working between Nepal and India, and her board and creative-director roles with Sarwanam Theatre Group place her inside a theatre institution built around performance, literature and public storytelling. That context matters because her screen work is not only about managing projects; it comes from a writer's habit of shaping voice, structure and dramatic movement. Her professional record also shows a practical education in screen industries beyond Nepal. After formal filmmaking study in Delhi, she worked on screenplays and short films, including associate screenplay experience in Indian television and creative-producer work connected to Hindi cinema. Pratibimba, Kathaputali: The Puppet and The Sound of Dreaming give the Nepali side of her screen record a useful arc: short-form storytelling, feature writing and executive production, then producer work that keeps her close to new voices and compact film forms. Malla's biography should not be inflated into a celebrity story when the verified evidence points to something more interesting: a maker who connects institutions, scripts and production spaces. Her value is in the bridge she creates between theatre discipline, journalistic curiosity and screen development. For TeamForFilm, she belongs as a producer-writer whose influence comes from moving ideas toward finished work while staying grounded in the craft of storytelling.
2021 | Feature Film | Executive Producer | Producer | Screenwriter
2022 | Feature Film | Producer | Producer
Producer / ScreenwriterProducer / Screenwriter
Sampada Malla's creative path sits at the crossing of writing, theatre, film production and media. She is identified as a writer, filmmaker and journalist working between Nepal and India, and her board and creative-director roles with Sarwanam Theatre Group place her inside a theatre institution built around performance, literature and public storytelling. That context matters because her screen work is not only about managing projects; it comes from a writer's habit of shaping voice, structure and dramatic movement. Her professional record also shows a practical education in screen industries beyond Nepal. After formal filmmaking study in Delhi, she worked on screenplays and short films, including associate screenplay experience in Indian television and creative-producer work connected to Hindi cinema. Pratibimba, Kathaputali: The Puppet and The Sound of Dreaming give the Nepali side of her screen record a useful arc: short-form storytelling, feature writing and executive production, then producer work that keeps her close to new voices and compact film forms. Malla's biography should not be inflated into a celebrity story when the verified evidence points to something more interesting: a maker who connects institutions, scripts and production spaces. Her value is in the bridge she creates between theatre discipline, journalistic curiosity and screen development. For TeamForFilm, she belongs as a producer-writer whose influence comes from moving ideas toward finished work while staying grounded in the craft of storytelling.
About
Sampada Malla's creative path sits at the crossing of writing, theatre, film production and media. She is identified as a writer, filmmaker and journalist working between Nepal and India, and her board and creative-director roles with Sarwanam Theatre Group place her inside a theatre institution built around performance, literature and public storytelling. That context matters because her screen work is not only about managing projects; it comes from a writer's habit of shaping voice, structure and dramatic movement. Her professional record also shows a practical education in screen industries beyond Nepal. After formal filmmaking study in Delhi, she worked on screenplays and short films, including associate screenplay experience in Indian television and creative-producer work connected to Hindi cinema. Pratibimba, Kathaputali: The Puppet and The Sound of Dreaming give the Nepali side of her screen record a useful arc: short-form storytelling, feature writing and executive production, then producer work that keeps her close to new voices and compact film forms. Malla's biography should not be inflated into a celebrity story when the verified evidence points to something more interesting: a maker who connects institutions, scripts and production spaces. Her value is in the bridge she creates between theatre discipline, journalistic curiosity and screen development. For TeamForFilm, she belongs as a producer-writer whose influence comes from moving ideas toward finished work while staying grounded in the craft of storytelling.
Specialization
02 / credits
02 / credits
02 / notes
02 / notes
VOW Magazine | 2007 | Nepal
Nepal Tourism Board | 2005 | Nepal
Asian Academy of Film and Television, India
Punjab Technical University, India