How Funny!!
2016 | Feature Film | Screenplay | Screenwriter
Profile details
Screenwriter
Shan Basnyat's screenwriting path is visible in films that ask for sharply shaped story mechanics, lively dialogue and a clear sense of audience. Beginning with Vijilante 3D, he moved through a run of feature projects in which the screenplay is asked to carry thriller, comedy and relationship-driven drama without losing its pace. Jholay gave him story, screenplay and dialogue credit, and was followed by Punte Parade, Chapali Height 2, How Funny!! and Kohalpur Express. Across those films, he has worked with different directors and tones while keeping the writing grounded in the characters at the centre of each story. That variety is its own kind of accomplishment: a body of work built project by project, with the script doing the quiet work of holding a film together. His more recent credit on Masterni extends that record into a new production, with contributions spanning creative production, script, screenplay and dialogue. Basnyat's career offers an encouraging picture of a writer who has kept developing through collaboration and range, building a place in Nepali cinema through the durable work on the page that audiences eventually experience on screen.
2016 | Feature Film | Screenplay | Screenwriter
2026 | Feature Film | Creative Producer; Script; Screenplay; Dialogue | Creative Producer | Screenwriter
2018 | Feature Film | Screenplay; Dialogue | Screenwriter
2014 | Feature Film | Screenplay | Screenwriter
ScreenwriterScreenwriter
Shan Basnyat's screenwriting path is visible in films that ask for sharply shaped story mechanics, lively dialogue and a clear sense of audience. Beginning with Vijilante 3D, he moved through a run of feature projects in which the screenplay is asked to carry thriller, comedy and relationship-driven drama without losing its pace. Jholay gave him story, screenplay and dialogue credit, and was followed by Punte Parade, Chapali Height 2, How Funny!! and Kohalpur Express. Across those films, he has worked with different directors and tones while keeping the writing grounded in the characters at the centre of each story. That variety is its own kind of accomplishment: a body of work built project by project, with the script doing the quiet work of holding a film together. His more recent credit on Masterni extends that record into a new production, with contributions spanning creative production, script, screenplay and dialogue. Basnyat's career offers an encouraging picture of a writer who has kept developing through collaboration and range, building a place in Nepali cinema through the durable work on the page that audiences eventually experience on screen.
About
Shan Basnyat's screenwriting path is visible in films that ask for sharply shaped story mechanics, lively dialogue and a clear sense of audience. Beginning with Vijilante 3D, he moved through a run of feature projects in which the screenplay is asked to carry thriller, comedy and relationship-driven drama without losing its pace. Jholay gave him story, screenplay and dialogue credit, and was followed by Punte Parade, Chapali Height 2, How Funny!! and Kohalpur Express. Across those films, he has worked with different directors and tones while keeping the writing grounded in the characters at the centre of each story. That variety is its own kind of accomplishment: a body of work built project by project, with the script doing the quiet work of holding a film together. His more recent credit on Masterni extends that record into a new production, with contributions spanning creative production, script, screenplay and dialogue. Basnyat's career offers an encouraging picture of a writer who has kept developing through collaboration and range, building a place in Nepali cinema through the durable work on the page that audiences eventually experience on screen.
Specialization
07 / credits
07 / credits
2013 | Feature Film | Screenplay; Dialogue | Screenwriter
2014 | Feature Film | Story; Screenplay; Dialogue | Screenwriter
2016 | Feature Film | Screenplay; Dialogue | Screenwriter